Wah pedals. There’s a pedal type I have not written a lot about in this series of 52 pedals. The main reason for that is that I don’t have a great deal of experience with wah pedals. Nor do I expect a lot from them. I want a wah pedal to enhance the guitar sound. I want it to be on when I want to use it and off when I don’t want to use it. If it can help a lead guitarist boost his or her solo work at appropriate times—and only at appropriate times—then all the better. The Morley Mark Tremonti Wah pedal seems to do all of that while delivering a purely metal appearance at the same time. Bonus points for \m/
Month: November 2015
Forty-two entries into the series—obviously behind schedule—and I feel the need to reflect. There have been many pedal types that I’ve looked into and added to this list. Most of them have been distortion or overdrive pedals because that’s how I roll—and rock. But for those reflective moments when I consider all things large and small, I need a pedal that can deliver those soothing sounds that best determine a moment of solitude. I need some Ambience. Good thing Mr. Black has such a pedal—in name and pedal type.
It’s been an interesting past few entries in the 52 pedals series. I’ve stayed away from the overdrive and distortion pedals just to show I’m not as predictable as some people think I am. I mean, there are other things that interest me. I’m not one dimensional.
Arrrggghh! Who am I kidding? I love distortion! It’s my favourite effect. Sure, there’s a part of me that loves all-things pedals. I love them all, just not equally. My true love is that broken up and dirty sound that can only be delivered through an overdriven or fully distorted sound.
I am one dimensional after all. I’m not some kind of split personality character like you’d find in a Robert Louis Stevenson novella. That reminds me, this entry in the series is about the Truetone V2 Son of Hyde. See where I went there?
I’ve decided to stick with my recent theme of pedals that do one thing—improve tone. What’s the point of building a perfect overdriven sound—which is my goal—if that sound isn’t tonally perfect. For the uninitiated, not all distorted tones are equal.
So if a boost compressor like the McCaffrey Audio Reactor Boost Compressor can help improve my amplifier’s overdriven or distorted tones, then I’m all for it.
It’s been a while since I got stuck into the awesomeness that is iOS guitar playing and recording. Truth be told, it’s been a while since I did anything decent that was guitar related. I perhaps needed something to rekindle my interest. Luckily and coincidentally, IK Multimedia recently released AmpliTube Acoustic and a new interface called iRig Acoustic. The interface I can’t write about—on account of me not having one of them—but AmpliTube Acoustic I can write about—because I do have the free version of that.
So write about it I shall!